Rows of handmade ceramic cups and bowls on rustic wooden shelves in a pottery studio
The finished-ware wall at the Lisbon workshop

A ceramics studio in Lisbon · est. 2014

Our Story

OCHRE is a small ceramics studio on a steep street in Alfama. We make stoneware for the table — bowls, cups and vessels thrown in small batches and glazed with pigments we mill ourselves.

What began as one secondhand wheel in a borrowed garage is now a workshop of twelve makers. The pace hasn’t changed: every piece is still thrown, trimmed and glazed by hand.

What we stand for

Our Mission

Slow objects, honest materials. We believe the things you touch every day should carry the mark of the hand that made them.

So we source clay within a day’s drive, fire with renewable power, and make nothing we wouldn’t keep on our own shelves.

Hands sculpting clay in a pottery workshop, seen from above on a wooden table

Featured quote

We don’t make objects to fill shelves. We make them to hold the small rituals of a day — coffee, salt, flowers, light.
— Elena Marchetti, Founder

The long read · 8 min

Our Story

How a borrowed garage, a secondhand wheel and a stubborn idea about slowness became OCHRE.

Chapter 1

Beginnings

In the winter of 2014, Elena Marchetti hauled a secondhand wheel up four flights of stairs in Alfama. By day she restored azulejo tiles; by night she threw bowls until the downstairs neighbours learned to sleep through the hum.

Elena at the wheel in the first Alfama workshop, winter 2014

The first pieces sold from a fold-out table at the Feira da Ladra flea market — eleven bowls, one Sunday, gone by noon. The money bought more clay, and the ritual repeated, market to wheel to market, for two straight years.

The first hundred bowls were wrong. The hundred-and-first felt like ours.
— Elena Marchetti, Founder

Chapter 2

Growth

Bisque ware, ready for the glaze firing

In 2017 the studio moved into a former printing house by the river and hired its first three makers. The wholesale list grew from two neighbourhood cafés to forty stockists across Europe.

Growth, for us, has never meant speed. It meant a second kiln, a proper glaze lab, and the room to say no — to seasons, to trends, to anything that would rush the clay.

Today twelve of us share the wheels, the long lunch table and the kiln log. The bowls still come off the wheel one at a time.

Photography

Frames from the workshop, shot over a decade. Tap any image to view it large.

Credits

Words
Jonas Feld, with the OCHRE studio journal
Photography
Marta Reis for Studio OCHRE
Art direction
Studio OCHRE, Lisbon
Typefaces
Fraunces & Inter